2,994 Free Artworks of Architectural Prints In The Metropolitan Museum Of Art

woodcutdepartment of drawings and prints, metropolitan museum of artetching printwoodcuts by isabella parasole in the metropolitan museum of artisabella parasoleprints by stefano della bella in the metropolitan museum of arteyn new kunstlichboich (1529)rogers fund - books and manuscriptsanton woensambaroque
The True Perfection of the Design of various types of embroidery, page 17 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 6 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 26 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 30 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 24 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
A new art book, Page 2 verso, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
A man stands at center, flanked by rows of buildings; above Jupiter atop an eagle and Juno accompanied by a peacock, converse among the clouds; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
Plate 7: Diana; statue of the nude goddess standing on a socle, wearing a crescent moon in her hair and holding a bow and arrow; from 'Statues of Roman Gods' after Jacques Jonghelinck, Philip Galle, 1586
jacques jonghelinckphilips galle
A woman in a chariot arrives at the ruins of a building as the Olympian gods look down from above, in the foreground stands an armed female figure; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
Plate 1: Saturn; statue of the nude god standing on a socle, holding a scythe in his right hand and a child in his left; from 'Statues of Roman Gods' after Jacques Jonghelinck, Philip Galle, 1586
jacques jonghelinckphilips galle
A new art book, page 18r, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
A new art book, page 20r, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
A new art book, page 19v, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
A new art book, page 5r, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
A new art book, page 8v, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
A new art book, page 10r, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
A new art book, page 19r, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
A new art book, page 18r, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Design for a Wall Decoration with a River God and Putti carrying the Symbols of King François I, Léonard Thiry, circa 1530–47
anonymous, french, school of fontainebleau, 16th centurydrawings by léonard thiry
Design for a Wall Decoration with a River God and Putti carrying the Symbols of King François I, Léonard Thiry, circa 1530–47
anonymous, french, school of fontainebleau, 16th centurydrawings by léonard thiry
Design for a Wall Decoration with a River God and Putti carrying the Symbols of King François I, Léonard Thiry, circa 1530–47
anonymous, french, school of fontainebleau, 16th centurydrawings by léonard thiry
Design for a Wall Decoration with a River God and Putti carrying the Symbols of King François I, Léonard Thiry, circa 1530–47
anonymous, french, school of fontainebleau, 16th centurydrawings by léonard thiry
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 16 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artwoodcut
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 24 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artwoodcut
Costume Design for 'Second Ballet Girl', Percy Anderson, 1901
department of drawings and prints, metropolitan museum of artpercy anderson
Costume Design for 'Sixth Ballet Girl', Percy Anderson, 1901
department of drawings and prints, metropolitan museum of artpercy anderson
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 10 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artwoodcut
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 13 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artwoodcut
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 23 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artwoodcut
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 38 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artwoodcut
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 5 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artwoodcut
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 17 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artwoodcut
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 35 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artwoodcut
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 36 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artwoodcut
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 22 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artwoodcut
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 32 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artwoodcut
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 27 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artwoodcut
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 26 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artwoodcut
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 4 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artwoodcut
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 3 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artwoodcut
Design for a Vignette Accompanying a Publication on the Greek Alphabet, Stefano della Bella, 1610–64
prints by stefano della bella in the metropolitan museum of artbaroque
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 11 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artwoodcut
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 12 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artwoodcut
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 31 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artwoodcut
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 37 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artwoodcut
Novelty Iron works, Foot of 12th St. E.R. New York. Stillman, Allen & Co., Iron Founders, Steam Engine and General Machinery Manufacturers, John Ritto Penniman, 1841–44
john ritto pennimangeorge endicott
Novelty Iron works, Foot of 12th St. E.R. New York. Stillman, Allen & Co., Iron Founders, Steam Engine and General Machinery Manufacturers, John Ritto Penniman, 1841–44
john ritto pennimangeorge endicott
Plate 12: a cartouche with an empty escutcheon at top center, a head of a lion in profile to either side, from 'Twelve cartouches' (Recueil de douze cartouches), Stefano della Bella, circa 1640–45
prints by stefano della bella in the metropolitan museum of artbaroque
Plate 5: a cartouche with a blank escutcheon at top center, a chimera to either side, their bodies ending in scrollwork and dragon tails, from 'Twelve cartouches' (Recueil de douze cartouches), François Collignon, circa 1640–45
prints by stefano della bella in the metropolitan museum of artprints published by françois langlois de chartres
Plate 6: a cartouche with a ram skull at top center, grapes and other fruits to either side, from 'Twelve cartouches' (Recueil de douze cartouches), Stefano della Bella, circa 1640–45
prints published by françois langlois de chartresbaroque
Plate 1: a cartouche with a lion head with wings at top center, a putto holding a blank escutcheon to either side, from 'Twelve cartouches' (Recueil de douze cartouches), Stefano della Bella, circa 1640–45
prints by stefano della bella in the metropolitan museum of artbaroque
Plate 9: a cartouche with the head of a ram at top center, flowers at top left and right, from 'Twelve cartouches' (Recueil de douze cartouches), François Langlois dit Chartres, circa 1640–45
prints by stefano della bella in the metropolitan museum of artprints published by françois langlois de chartres
Novelty Iron works, Foot of 12th St. E.R. New York. Stillman, Allen & Co., Iron Founders, Steam Engine and General Machinery Manufacturers, John Ritto Penniman, 1841–44
john ritto pennimangeorge endicott
The Triumph of Austria; Leopold I at center, mounted on a reared horse, atop a military trophy; surrounded by equestrian portraits of the Holy Roman Emperors; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
Novelty Iron works, Foot of 12th St. E.R. New York. Stillman, Allen & Co., Iron Founders, Steam Engine and General Machinery Manufacturers, John Ritto Penniman, 1841–44
john ritto pennimangeorge endicott
"The King's House from the Garden Side, with the Fountain of Venus", in: Theater of the Most Important Dutch Houses and Gardens of Pleasure, Depicted from Life, Carel Allard
department of drawings and prints, metropolitan museum of artcarolus allard
Frieze with a Triton and Mermaid holding up a Shell, Title page from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Design for a Frieze with Acanthus Scrolls and Playing Putti and Dogs, Plate 12 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Design for a Frieze with Acanthus Scrolls with the Theme of Love, Plate 7 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Design for a Frieze with Acanthus Scrolls and a Leopard in the Center, Plate 10 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Plate 10: a cartouche formed by drapery and topped with two skeletons atop an Ionic entablature, from 'Nouvelles inventions de Cartouches', Stefano della Bella, circa 1647
prints by stefano della bella in the metropolitan museum of artbaroque
Two Tritons wrestling with other Sea Creatures, Plate 13 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Two Designs for Friezes or Consoles characterized by Armorial Trophies, Plate 6 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Title page for 'The Child Nino' (Il Nino Figlio), a stage with the curtain drawn, the coat of arms of the duke of Modena at top center, spectators below, Stefano della Bella, circa 1655
prints by stefano della bella in the metropolitan museum of artbaroque
Costume Study for Vaslav Nijinsky in the Role of Iksender in the Ballet "La Péri" (The Flower of Immortality), first performed in Paris, 1912, Léon Bakst, Dated 1922
department of drawings and prints, metropolitan museum of artscenic designs by leon bakst
Costume Study for Vaslav Nijinsky in the Role of Iksender in the Ballet "La Péri" (The Flower of Immortality), first performed in Paris, 1912, Léon Bakst, Dated 1922
department of drawings and prints, metropolitan museum of artscenic designs by leon bakst
Sketch for a Stage Set: Foreshortened View of a Palace with a Figure on the Stairs., Francesco Galli Bibiena, between 1700 and 1774
francesco galli da bibbienaantonio galli da bibbiena
Sketch for a Stage Set: Foreshortened View of a Palace with a Figure on the Stairs., Francesco Galli Bibiena, between 1700 and 1774
francesco galli da bibbienaantonio galli da bibbiena
Eyn new kunstlichboich, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Plan of the Mausoleum of Caecilia Metella, wife of the Triumvir Marcus Crassus..., from Le Antichità Romane (Roman Antiquities), tome 3, tavola 49, Giovanni Battista Piranesi, published 1756–57
etchings by giovanni battista piranesineoclassicism
View and Perspective of the inside of the Palais d'Orleans, from 'Various views of remarkable places in Italy and France' (Diverses vues d'endroits remarquables d'Italie et de France), Stefano della Bella, 1649–51
prints by stefano della bella in the metropolitan museum of artbaroque
Nancy, from Diverses Veue et Perspectives nouvelles de Rome, Paris et des autres lieux, Israel Silvestre, circa 1640–91
department of drawings and prints, metropolitan museum of artisraël silvestre
Eight vases, a clepsydra in center decorated with two skulls with laurel wreaths, plate 6 from 'Collection of Various Vases' (Raccolta di Vasi Diversi), François Langlois dit Chartres, circa 1650–56
prints by stefano della bella in the metropolitan museum of artprints published by françois langlois de chartres
Six vases, and two sketches of vases on the extremities, Plate 5 from: 'Collection of Various Vases' (Raccolta di Vasi Diversi), François Langlois dit Chartres, circa 1650–56
prints by stefano della bella in the metropolitan museum of artprints published by françois langlois de chartres
Seven vases, the vase in the middle decorated with the face of Medusa, Plate 1 from 'Collection of Various Vases' (Raccolta di Vasi Diversi), François Langlois dit Chartres, circa 1650–56
prints by stefano della bella in the metropolitan museum of artprints published by françois langlois de chartres
Eight vases, the largest one in center with sculptures of a nymph and a faun, Plate 4 from: 'Collection of Various Vases' (Raccolta di Vasi Diversi), Stefano della Bella, circa 1650–56
prints by stefano della bella in the metropolitan museum of artbaroque
An army marching through a field; soldiers on foot at left and right, while others ride elephants and camels down the center; set design from 'La Monarchia Latina Trionfante', Mathäus Küsel, 1678
department of drawings and prints, metropolitan museum of artmatthäus küsel
Section and Plan of the Small Dining Room of the Hôtel de Montholon, Jean-Jacques Lequeu, 1785–86
department of drawings and prints, metropolitan museum of arthôtel montholon by jean-jacques lequeu
Section and Plan of the Small Dining Room of the Hôtel de Montholon, Jean-Jacques Lequeu, 1785–86
department of drawings and prints, metropolitan museum of arthôtel montholon by jean-jacques lequeu
Interior view of St. Peter's Basilica in the Vatican, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi, circa 1748
etchings by giovanni battista piranesineoclassicism
Medea pours magical potion over Jason's body: from Histoire de Jason et de la conquête de la toison d'or, Léonard Thiry, 1563
works after léonard thiryrené boyvin
Images of the main buildings from all those arranged by Philips Vingboons, Johannes Vingboons, 1648
afbeeldsels der voornaemste gebovwen, uyt alle die philips vingboons geordineert heeftjohannes vingboons
Means by which the large blocks of travertine and marble were lifted during the construction of the large Tomb of Caecilia Metella, from Le Antichità Romane (Roman Antiquities), tome 3, tavola 53, Giovanni Battista Piranesi, published 1756–57
etchings by giovanni battista piranesineoclassicism
A new art book, Titlepage (2 recto), Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
German Academy of Architecture, Sculpture and Painting, Joachim von Sandrart the Elder, 1675
works after joachim von sandrartbaroque
The villa at Nancy in the background, two putti holding a drapery at top center, from 'Various views of remarkable palaces in Italy and France' (Diverses vues d'endroits remarquables d'Italie et de France), Stefano della Bella, 1649–51
prints by stefano della bella in the metropolitan museum of artbaroque
The fate of an evil tongue; seven putti stand around an anvil on which they hammer a tongue, landscape and architecture behind, circa 1507
department of drawings and prints, metropolitan museum of artnicoletto da modena
Trois Amours dont un tient une flèche (Three Loves, one of which holds an arrow), from Premiere Livre de Groupes d'Enfans (First Book of Groups of Children), François Boucher
pierre-alexandre avelinerococo
Design for a Silver Vessel with Scenes from the Passion of Christ, Paulus van Vianen, circa 1600
department of drawings and prints, metropolitan museum of artdrawings by paulus van vianen
Project for the Riding-School of the Horse Guards in Saint Petersburg - Elevation of the Side Entrance, Giacomo Quarenghi, between 1744 and 1817
drawings by giacomo quarenghiclassicism
Frieze Design with Strapwork and a Satyr holding a Fantastical Creature (recto); Two Candelabra Grotesques (verso), Andrés de Melgar, circa 1545–60
department of drawings and prints, metropolitan museum of artdrawings by andrés de melgar
Frieze Design with Strapwork and a Satyr holding a Fantastical Creature (recto); Two Candelabra Grotesques (verso), Andrés de Melgar, circa 1545–60
department of drawings and prints, metropolitan museum of artdrawings by andrés de melgar
Frieze Design with Strapwork and a Satyr holding a Fantastical Creature (recto); Two Candelabra Grotesques (verso), Andrés de Melgar, circa 1545–60
department of drawings and prints, metropolitan museum of artdrawings by andrés de melgar
Eyn new kunstlichboich, page 6r, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 6v, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 12r, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 5v, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 16v, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 15r, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 17r, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
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